Amanda Palmer Gets
Standing Ovation for
TED Talk
At TED2013
Compares Crowd-Funding
to Crowd-Surfing
“When You Connect With
People, They Want to Help You...
Maybe
instead of asking ourselves how we can make people pay for music, we should ask
ourselves how to LET them.”
Amanda Palmer has made an art out of
crowd-sourcing and crowd-funding, making headlines last year for raising $1.2
million on Kickstarter to fund her latest album. Amanda says they are simply
the modern day versions of the street-performing she did to support herself for
many years as the 8ft Bride, and the couch-surfing she’s done throughout her years of
touring.
“Couch-surfing and crowd-surfing are
essentially the same thing. You’re falling into the audience, and asking your
fans to catch you,” she notes. “So when it came time to put out my new album, I
turned to crowd-funding, and I ‘fell’ into those thousands of connections I’d
made and I asked my crowd to catch me.”
Moreover, she believes that the meaningful
human relationships that develop from these acts --and the vulnerability they
require – are as old as art itself. “For most of human history musicians and
artists have been part of the community – connectors and openers, not
untouchable stars. Celebrity is about a lot of people loving you from a
distance. But the internet and the content we’re able to share on it is taking
us back, and it’s about a few people loving you up close, and those people
being enough.”
Lastly, she feels that the lessons she learned
as a street performer might just solve the music biz’s current dilemma around
trying to get people to pay for music: “Maybe instead of asking ourselves how
we can make people pay for music, we should ask ourselves how to LET them.”
Read more about Amanda’s TED experience and
the reaction to her TED Talk in Long Beach this week HERE on the TED blog.
Amanda’s
self-released album, Theatre Is Evil, debut in the Billboard Top 10 last September, and is
available for a “pay-what-you-want” price (including free) in her web store HERE.
"She juggles
bravado and compassion... " – The New York Times
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